"HOME—SO DIFFERENT, SO APPEALING" MEDIA COVERAGE

"Love Latin American, Latino Art? Southern California's Massive Exhibit, Pacific Standard Time"
NBC News covered the arts initiative Pacific Standard Time: LA/LA. Included in the roundup is a photo from the La Raza exhibition at the Autry Museum, courtesy of the CSRC, and an image of the artwork 720 Sq. Ft.: Household Mutations by Carmen Argote, featured in the CSRC-organized exhibition Home—So Different, So Appealing at LACMA.
nbcnews.com, October 30, 2017 (PDF)

“The Architecture of the Americas is Not White”
In an opinion piece discussing the Mexican culture of Southwest America, Home—So Different, So Appealing was mentioned for its theme that celebrates relations between various cultures and countries.
Dezeen, October 24, 2017 (PDF)
Reprinted in 3noviceseurope.wordpress.com, October 24, 2017

“Datebook: A Persian Epic, a Lost City from ‘Superman,’ the Return of Pop-Up Magazine”
The Los Angeles Times mentioned Home artist Carmen Argote for her work appearing in Pyramids at Panel LA, at ProyectosLA, and in the CSRC-organized exhibition Home—So Different, So Appealing.
Los Angeles Times, 
October 19, 2017 (PDF

"The Big Lie"
Several images from the CSRC-organized exhibition Home—So Different, So Appealing appeared in an Art Practical essay questioning the long-term impact of the arts initiative Pacific Standard Time: LA/LA.
Art Practical, October 19, 2017 (PDF)

"'Home—So Different, So Appealing'/ 'Hogar—Tan Diferente, Tan Atractivo'"
The CSRC-organized exhibition Home—So Different, So Appealing was profiled in Relieve Contemporaneo. Several images and a video from the exhibit, courtesy of LACMA, are included in the piece.
Relieve Contemporaneo, October 18, 2017 (PDF

“Deconstructing the Meaning of Home”
The New York Times “The Daily 360”  featured CSRC director and Home co-curator Chon Noriega giving a brief tour of Home—So Different, So Appealing at LACMA. The video provides 360 degree views of the galleries.
New York Times, October 16, 2017
Highlighted in newsroom.ucla.edu, October 17, 2017

"A Head-Spinning, Hope-Inspiring Showcase of Art"

In a review of PST: LA/LA, The New York Times mentioned CSRC director Chon A. Noriega and the extensive efforts of the CSRC, and he called Home—So Different, So Appealing "one of the stronger shows" in the initiative. In addition, the review described La Raza as "a vivid, tip-of-the-iceberg survey of photographs from the Mexican-American newspaper-turned-magazine" and drew attention to several shows that received loans from the CSRC, including Laura AguilarAxis Mundo: Queer Networks in Chicano L.A., and The U.S.-Mexico Border: Place, Imagination, and Possibility. The review includes illustrations of several artworks in Home—So Different, So Appealing.
The New York Times, September 22, 2017 (PDF
Also mentioned in UCLA In the News, September 21, 2017 (PDF)

“Pacific Standard Time LA/LA: 1,100 Artists from 45 Countries”

The CSRC-organized exhibition Home—So Different, So Appealing was mentioned in The Economist as part of the Getty-funded arts initiative Pacific Standard Time: LA/LA. The article states that Home sets the overarching theme of “home” for the initiative.
The Economist, September 21, 2017 (PDF)

“With Trump’s DACA Reversal, an Art Moment Rises: How Two Works Have Acquired New Significance”

Home artist Camilo Ontiveros was featured in an article discussing his sculpture Temporary Storage: The Belongings of Juan Manuel Montes, which was constructed from the belongings of the first person with DACA status to be deported by the Trump Administration. This work is on display at LACMA in the CSRC-organized exhibition Home—So Different, So Appealing, on view through October 15.
Los Angeles Times, September 20, 2017 (PDF)

“From Getty Intern to PST: LA/LA Professional”
Emily Butts, curatorial assistant for Home—So Different, So Appealing, was interviewed for The Iris, a Getty blog. Butts made her curatorial debut with Selections from Star Montana: Tear Drops & Three Dots at the CSRC in fall 2016. A video of Butts in conversation with Montana can be found here.
The Iris, September 15, 2017 (PDF

“’Pacific Standard Time: LA/LA’ Review: Mirror of a Kaleidoscopic Culture”

The Wall Street Journal surveyed Pacific Standard Time: LA/LA and mentioned the CSRC-organized exhibition Home—So Different, So Appealing as “essential on anybody’s PST list.”
Wall Street Journal, September 15, 2017 (PDF)

“How Artist Camilo Ontiveros Acquired the Belongings of a DACA Deportee and What He Did with Them”

Home artist Camilo Ontiveros discussed his sculpture Temporary Storage: The Belongings of Juan Manuel Montes in a profile in the Los Angeles Times. The artwork draws attention to those affected by the repeal of DACA. The work is on display at LACMA through October 15 in the CSRC-organized exhibition Home—So Different, So Appealing.
Los Angeles Times, September 15, 2017 (PDF)

"A review of 'Home—So Different, So Appealing' was featured in the digital Artforum Dispatch"
An issue of Artforum Dispatch featured the magazine’s Critics’ Pick of Home—So Different, So Appealing. Click here to read the complete review.
Artforum Dispatch, September 13, 2017(PDF
 
“In a Heated Political Moment, the Ambitious Latino Art Series Pacific Standard Time: LA/LA Opens”

The Los Angeles Times reported on the launch-week press conference for  Pacific Standard Time: LA/LA. Home—So Different, So Appealing artists Carmen Argote and Abraham Cruzvillegas spoke on the event’s artist panel.
Los Angeles Times, September 13, 2017 (PDF)

Gallery Wendi Norris Congratulates Home Artists Julio César Morales and Miguel Angel Ríos
A press release from Gallery Wendi Norris congratulated Home artists Julio César Morales and Miguel Angel Ríos for their inclusion in the Getty’s Pacific Standard Time: LA/LA. Both have work on display at LACMA in the CSRC-organized exhibit Home—So Different, So Appealing. Morales also has work on view in The US-Mexico Border: Place, Imagination, and Possibility at the Craft and Folk Art Museum, to which the CSRC is a lender.
Gallery Wendi Norris (press release), September 12, 2017 (PDF

“How Pacific Standard Time Is Writing Long-Overlooked Chicano Artists Back Into Art History”

In a preview of Pacific Standard Time: LA/LA, CSRC director Chon Noriega is mentioned for his contributing role in developing the initiative. The piece also mentioned LA RAZA, Laura Aguilar: Show and Tell, and Home—So Different, So Appealing, all shows in which the CSRC was a large contributor.
Artnet News, September 12, 2017 (PDF

“Pacific Standard Time: LA/LA – the Perfect Exhibition for Trump’s America”
CSRC director Chon Noriega was quoted in a piece on the Getty-funded arts initiative Pacific Standard Time: LA/LA and the CSRC-organized exhibit Home—So Different, So Appealing, currently on display at LACMA.
The Guardian, September 12, 2017 (PDF)

“In the Art World, ‘Latinx’ Marks a Gender-Free Spot”

CSRC director Chon Noriega was quoted in a piece discussing the popular terms ‘Latinx’ and ‘Chicanx.’ The exhibition Home—So Different, So Appealing, which Noriega co-curated, was also mentioned. 
The New York Times, September 11, 2017 (PDF)

“The Modern Art Notes Podcast”
Home artist Leyla Cárdenas discussed her piece Excision (2012) in the Modern Arts Notes Podcast. Cárdenas’ sculpture can be viewed in the CSRC-organized exhibition Home—So Different, So Appealing at LACMA through October 15.
Modern Arts Notes Podcast, September 7, 2017 (PDF)

“Daniel Joseph Martinez | Exhibitions Fall 2017”

A press release from Roberts & Tilton lists the exhibitions that include Home artist Daniel Joseph Martinez’s work. Two of his pieces are currently on display at LACMA in the CSRC-organized exhibit Home—So Different, So Appealing. The show will travel to the Museum of Fine Arts, Houston in November.
Roberts & Tilton (press release), September 6, 2017 (PDF)

“What We Talk About When We Talk About L.A.”

Home—So Different, So Appealing was mentioned in Art News for its use of the concept of “home” as its organizing principle.
Art NewsSeptember 5, 2017 (PDF), print edition (PDF)

“The Ultimate Map of All Pacific Standard Time: LA/LA Exhibits (So Far)”

A map of many of the Pacific Standard Time: LA/LA exhibits was released to help participants navigate the Getty-funded arts initiative launching this month. Included on the map are several exhibits the CSRC partnered with, including: Home—So Different, So Appealing, LA RAZA, and Laura Aguilar: Show and Tell.
KCET, 
September 5, 2017 (PDF)

“Five Latin American Galleries Join Forces for New LA Space”

In a piece announcing a new gallery opening in the Glendale area of Los Angeles that is a joint effort between five galleries from Latin America, Artforum referenced its Critics’ Pick of Home—So Different, So Appealing Home and the Getty-funded arts initiative Pacific Standard Time: LA/LA, which is bringing Latin and Latin American art to the forefront of the Los Angeles art scene.
Artforum, September 1, 2017 (PDF)

“Latino Heritage Month 2017 Calendar and Cultural Guide”

Home—So Different, So Appealing is featured in the Latino Heritage Month 2017 Calendar and Cultural Guide. The CSRC-organized exhibit is on display at LACMA through October 15.
Department of Cultural Affairs, September 1, 2017 (PDF)

“PST: LA/LA | Christina Fernandez: Prospect | Save the Date”
Home artist Christina Fernandez’s solo exhibition Prospect will open September 16 at Gallery Luisotti. The exhibition is part of the Getty-funded arts initiative Pacific Standard Time: LA/LA. Fernandez’s work is currently on display in the CSRC-organized exhibition Home—So Different, So Appealing at LACMA through October 15.
Gallery Luisotti, August 24, 2017 (PDF)
 
"Free Museum Admission Day Announced for Pacific Standard Time: LA/LA" The Getty-funded arts initiative Pacific Standard Time: LA/LA will kick off with a launch party September 14, followed by a free day on September 17 in which dozens of museums will offer free admission to their PST: LA/LA  exhibitions.  The initiative explores Latin American and Latino art through exhibitions and public events throughout Los Angeles and surrounding regions over the course of the next four months. The CSRC-organized exhibition Home—So Different, So Appealing, part of PST: LA/LA, is currently on display at LACMA. 
Los Angeles Times, August 23, 2017 (PDF)
 
“’WeHo Artes’ Launches Wednesday with ‘In West Hollywood’”
WeHo Artes will host a reception for the exhibit In West Hollywood, part of Getty-funded arts initiative Pacific Standard Time: LA/LA. The exhibit features work by L.A.-based artist Ramiro Gomez, whose work is also on display at LACMA in the CSRC-organized PST: LA/LA exhibition Home—So Different, So Appealing.
WEHOville, August 22, 2017 (PDF)
 
“Hacking Hockney: the Mexican American Painter Bringing Latino Culture Into Art”
The Guardian profiled L.A. artist Ramiro Gomez, whose work has been inspired by artist David Hockney. Gomez’s work is on display at LACMA in Home—So Different, So Appealing part of the Getty-funded arts initiative Pacific Stand Time: LA/LA.
The Guardian, August 22, 2017 (PDF)
 
“LACMA: Case”
Domus featured a piece on the CSRC-organized exhibition Home—So Different, So Appealing currently on display at LACMA through October 15. The story includes photos of the exhibition.
Domus, August 18, 2017 (PDF)
 
“Cuban Art & Artists in ‘Pacific Standard Time: LA/LA’”
Home—So Different, So Appealing was featured in a piece listing all of the Cuban artists to have their work displayed in the Getty-funded arts initiative Pacific Standard Time: LA/LA.
Cuban Art News, August 17, 2017 (PDF)
 
"Facebook Live with Carmen Argote at LACMA​​​​​​" In a Facebook Live segment with the Los Angeles County Museum of Art, artist Carmen Argote discusses her piece 720 sq. ft.: Household Mutations on view in the CSRC-organized exhibition Home—So Different, So Appealing at LACMA.
Facebook Live, August 18, 2017
To view segment, click here
 
“The Other Side of the Wall: A New Generation of Latino Art”
As an example of the U.S. art scene’s increased interest and investment in Latin American art, including the Getty-funded arts initiative Pacific Standard Time: LA/LA, L.A.-based ­artist Carmen Argote was mentioned for her carpet installation on display at LACMA in the CSRC-organized exhibition Home—So Different, So Appealing.
The New York Times Style Magazine, August 17, 2017 (PDF)
 
“Home—So Different, So Appealing: Art from the Americas Since 1957”
Arte Al Día featured a post discussing the CSRC-organized exhibition Home—So Different, So Appealing on display at LACMA through October 15. The show will travel to the Museum of Fine Arts, Houston from November 2017 – February 2018.
Arte Al Día, August 16, 2017 (PDF)
 
“Fall Preview 2017”
Home—So Different, So Appealing, on display through October 15, was mentioned in a preview of the Getty-funded arts initiative Pacific Standard Time: LA/LA. The exhibit is one of five in the initiative on view at the Los Angeles County Museum of Art.
Los Angeles County Museum on Fire, August 14, 2017 (PDF)
 
“Ramiro Gomez ‘Home—So Different, So Appealing’ at LACMA”
L.A.-based artist Ramiro Gomez’s cardboard mural CUT-OUTS, which was part of Fragments from Home exhibited by the CSRC at the 2017 LA Art Show, was recently acquired by LACMA with the assistance of LACMA's AHAN: Studio Forum and Susan Hancock. Gomez currently has work displayed in the exhibition Home—So Different, So Appealing on view at LACMA through October 15.
Charlie James Gallery, August 10, 2017 (PDF)
 
“ProyectosLA, Fair-Exhibition Hybrid Timed to Pacific Standard Time: LA/LA, Reveals Artists, Title”
Home artists Carmen Argote and Mondongo will be included in proyectosLA, an upcoming fair-exhibition hybrid that is now officially part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative. Sixty-two artists will have their work displayed in a warehouse in downtown Los Angeles from September 16 to October 28.
Art News, August 8, 2017 (PDF)
 
“A Thousand Ways to Go Home Again”
The Huffington Post featured a review of the CSRC-organized exhibition Home—So Different, So Appealing. The review by Max Benavidez, author of A Ver: Gronk from CSRC Press, discusses many artworks in the show, including those by Miguel Angel Ríos, Raphael Montañez Ortiz, Leyla Cárdenas, and Daniel Joseph Martinez.
Huffington Post, August 6, 2017 (PDF
 
“Home—So Different, So Appealing”
Chon Noriega, CSRC director and co-curator of Home—So Different, So Appealing was quoted in a piece discussing the CSRC-organized exhibition. It’s the first of five shows at LACMA funded in part by the Getty for Pacific Standard Time: LA/LA.
Terremoto, August 4, 2017 (PDF)
 
“August 2017 News, Reviews, and Events” The CSRC-organized exhibition Home—So Different, So Appealing was mentioned in the University of Washington Press Blog for its excellent reviews in ARTnews, Cuban Art News, The New Yorker, and the Los Angeles Times. The University of Washington Press will distribute the accompanying catalogue later this year.
University of Washington Press Blog, August 3, 2017 (PDF)
 
“WHAT’S ON”
SculptureCenter featured a photo of Abraham Cruzvillegas’ artwork Autoconstrucción on display in the CSRC-organized exhibition Home—So Different, So Appealing at LACMA through October 15.
SculptureCenter, August 3, 2017 (PDF)
 
“Magic Carpet/Home (2003/2017)”
Home—So Different, So Appealing artist María Elena González’s Magic Carpet was installed by Tellus Build. The sculpture is interactive, which converts a to-scaled replica of a 700-square foot Federal affordable housing floor plan into rolling waves. This piece and the rest of the exhibition is on view at LACMA through October 15.
Collaboration of Design + Art, August 2, 2017 (PDF)
Highlighted in www.benzinga.com, August 3, 2017
 
"Qiu Zhijie: Journeys Without HomeSo Different, So Appealing"
Home—So Different, So Appealing was featured in DAMN° Magazine’s calendar of exhibitions. Home is currently on display at the Los Angeles County Museum of Art through October 15.
DAMN° Magazine, August 1, 2017 (PDF
 
"LACMA’s Genre-Defying Summer of Pacific Standard Time: LA/LA”
Insider, LACMA’s quarterly donor magazine, showcased the museum’s participation in the Getty-funded arts initiative Pacific Standard Time: LA/LA. Three of five exhibitions are now open at LACMA, including the CSRC-organized exhibition Home—So Different, So Appealing, as well as Playing with Fire: Paintings by Carlos Almaraz, and A Universal History of Infamy.
Insider, Spring 2017 (PDF)
 
"The Unabomber, Martha Stewart, and 'The House That America Built'"
CSRC director Chon Noriega writes about the recent fascination with Unabomber Theodore (Ted) Kaczynski. Noriega relates Home artist Daniel Joseph Martinez’s work “The House America Built,” modeled after Kaczynski’s cabin with the eight-episode TV special Manhunt: Unabomber premiering on the Discovery Channel August 1. 
Unframed, July 31, 2017 (PDF)
 
"LACMA Presents a Groundbreaking Exhibition on the Universal Concept of Home"
CSRC director Chon Noriega is quoted in a piece discussing the CSRC-organized exhibition Home—So Different, So Appealing currently on display at LACMA through October 15. This is the first of five shows LACMA will host in conjunction with the Getty funded arts initiative Pacific Standard Time: LA/LA.
ArtDaily.org, July 29, 2017 (PDF
Reprinted in dallasartdealers.org, July 29, 2017
 
"Full House: Artists from Latin America Imagine Home"
Hyperallergic featured a review of the CSRC-organized exhibit Home—So Different, So Appealing. The review discusses many artworks in the show, including those by Guillermo Kuitca, Livia Corona Benjamin, Leyla Cárdenas, Abraham Cruzvillegas, Daniel Joseph Martinez, Vincent Valdez, and Julio César Morales. 
Hyperallergic, July 29, 2017 (PDF
Reprinted in vanartgallerylibrary.wordpress.com, July 29, 2017
 
"Home—So Different, So Appealing Is ARTFORUM Critic's Pick"
The CSRC-organized exhibition Home—So Different, So Appealing was featured as a critic’s pick in ARTFORUM. Reviewer Andy Campbell named CSRC director Chon Noriega as one of three curatorial experts within the field of Latin American and Chicanx/Latinx who helped bring the show together. Home is on display through October 15 at the Los Angeles County Museum of Art.
ARTFORUM, July 26, 2017 (PDF)
 
"At Home at LACMA"
Hunter Drohojowska-Philp discusses the CSRC-organized exhibition Home—So Different, So Appealing on the radio show “Art Talk” on KCRW 89.9 FM. To listen to the story, click here
Art Talk, July 20, 2017 
Transcript on kcrw.com, July 20, 2017 (PDF)
 
"Carmen Argote | Recent Acquisition by LACMA"
Artist Carmen Argote’s sculpture 720 Sq. Feet: Household Mutations has been acquired by the Los Angeles County Museum of Art with funds provided by Jane Siegal and AHAN Studio Forum, 2017 Art Here and Now Purchase. This work is on display at LACMA in the CSRC-organized exhibition ­Home—So Different, So Appealing through October 15.
Shulamit Nazarian Los Angeles, July 15, 2017 (PDF)
 
"7 Experiences Not to Miss During Pacific Standard Time: LA/LA"
Home—So Different, So Appealing is mentioned in Discover Los Angeles’ list of Pacific Standard Time: LA/LA shows not to be missed. The CSRC-organized exhibition is on view through October 15 at LACMA.
Discover Los Angeles, July 12, 2017 (PDF)
 
“Update: Soriano in Southern California, Mendive in the Bronx, and Pacific Standard Time in LA”
In a news piece about upcoming exhibitions featuring Cuban-born artists, Cuban Art News mentions the artworks of Luis Cruz Azaceta, Félix González Torres, and María Elena González on display in Home—So Different, So Appealing at LACMA through October 15.
Cuban Art News, July 11, 2017 (PDF)
 
“Martha Stewart & Ted Kaczynski: Stranger Than Fiction”
A blog post on Los Angeles County Museum on Fire discusses the artwork “The House That America Built” (date) by Daniel Joseph Martinez and on display in the exhibition Home—So Different, So Appealing at LACMA. Martinez’s piece replicates Ted Kaczynski’s Unabomber cabin but is painted with Martha Stewart’s latest palette. The sculpture draws upon the similarities between Stewart’s and Kaczynski’s lives.
Los Angeles County Museum on Fire, July 10, 2017 (PDF)
 
“LACMA Announces Its First Ever ‘Instagram Artist-in-Residence’ Because Art Will Never Stop Evolving”
LACMA has announced Guadalupe Rosales as its first “Instagram artist-in-residence.” Rosales, a CSRC collections donor featured an artwork in the exhibition Home—So Different, So Appealing as one of her first LACMA Instagram posts.
Paper, July 5, 2017 (PDF)
 
"LACMA Instagram Features 'Home'"
CSRC collections donor Guadalupe Rosales featured an artwork in the exhibition Home—So Different, So Appealing on LACMA’s Instagram. This post is part of LACMA’s new Instagram artist-in-residence program; Rosales is the program’s inaugural artist. For more on her six-week residency at LACMA, see the story in the Los Angeles Times.
Instagram, July 5, 2017 (PDF)
 
“Scholarship Drives the Next PST”
The second edition of the Getty-funded Pacific Standard Time initiative is devoted to Latin America and Latino art and will launch with the intention of boosting cultural tourism and focusing on academic value. CSRC director Chon Noriega was quoted in this piece discussing the PST exhibition he co-curated, Home—So Different, So Appealing, on display at LACMA through October 15.
Art Newspaper, July/August, 2017 (PDF)
 
"Tellus Design + Build Constructs Sculpture for New Exhibition at the Los Angeles County Museum of Art"
CSRC director Chon Noriega was quoted in a press release from Tellus Design +Build describing the firm’s role in the installation of María Elena González’s interactive sculpture “Magic Carpet/Home” (2003/2017), part of the CSRC-organized exhibition Home—So Different, So Appealing on view at LACMA through October 15.
PRWeb, June 22, 2017 (PDF)
 
"Latinx Artist Explore the Idea of Home in this New LACMA Exhibit"
CSRC director Chon Noriega was quoted in a story discussing the development and organization of the exhibition Home—So Different, So Appealing, on view at LACMA through October 15. The story includes photos of the exhibition.
KCET, June 21, 2017 (PDF)
 
“La Noción de Hogar en la Obra de 40 Artistas Latinos y Latino Americanos”
The CSRC-organized exhibition Home—So Different, So Appealing was featured in Artishock as the first of five exhibitions at LACMA to be produced for the Getty arts initiative Pacific Standard Time: LA/LA. The story includes photos of the Home exhibition. 
Artishock, June 21, 2017 (PDF)
 
"Home and Away"
The June 26 print version of the The New Yorker features a review of the CSRC-organized exhibition Home—So Different, So Appealing. Art critic Peter Schjeldahl calls the exhibition a "tour de force." The review appeared online June 19 and can be read here.
The New Yorker, June 26, 2017 (PDF)
(print edition) June 19, 2017, “Home Is Where the Art Is” (PDF)
 
“LACMA’s Innovative and Powerful “Home” Exhibit Breaks Boundaries and Hearts”
La Bloga featured a story on the CSRC-organized exhibit Home—So Different, So Appealing. The story includes photos of the exhibition, artists, and curators. 
La Bloga, June 19, 2017 (PDF)
 
"Noose Found Outside National Gallery of Art, Washington"
Peter Schjeldahl’s review of the exhibition Home—So Different, So Appealing in The New Yorker was mentioned in Apollo’s listing of daily art news. 
Apollo, June 19, 2017 (PDF)
 
“Latino and Latin American Artists Explore the Concept of Home in LACMA Exhibit”
A review of the CSRC-organized exhibit Home—So Different, So Appealing in the LA Daily News highlights some of the sculptures in the show that are reiterations of previous works by artists Camilo Ontiveros, Daniel Joseph Martinez, and Maria Elena Gonzalez. 
LA Daily News, June 15, 2017 (PDF)
Reprinted in presstelegram.com, June 15, 2017
Reprinted in guardianlv.com, June 15, 2017
 
“Argentine Slums and a Unabomber Cabin: How ‘Home’ at LACMA Rethinks Ideas about Latin American Art”
In the Los Angeles Times CSRC director Chon Noriega was among the three curators quoted in a feature on the exhibition Home—So Different, So Appealing. The story includes images of artworks in the exhibition by Daniel Joseph Martinez, Livia Corona Benjamin, Julio César Morales, Mondongo, Carmen Argote, Vincent Valdez, and Félix González-Torres. 
Los Angeles Times, June 15, 2017 (PDF)
Highlighted in newsroom.ucla.edu, June 15, 2017
 
"What 'Home' Means to Latino and Latin American Artists"
On her radio show "Design and Architecture" on KCRW 89.9 FM, host Frances Anderton discusses the CSRC-organized exhibition Home--So Different, So Appealing at LACMA, including interviews with artist Daniel Joseph Martinez and co-curator Pilar Tompkins Rivas. To hear the story, click here.
Design and Architecture, June 13, 2017 (PDF)
Transcript and broadcast on blogs.kcrw.com, June 14, 2017
 
Carolina Miranda Discusses "Home" on "Press Play"
Los Angeles Times columnist Carolina Miranda discusses the CSRC-organized exhibition Home--So Different, So Appealing on the radio show "Press Play with Madeleine Brand" on KCRW 89.9FM. To listen to the story, click here.
Press Play with Madeleine Brand, June 13, 2017
 
"My Home"
In a post on LACMA's blog Unframed, artist Raphael Montañez Ortiz describes his earliest forays into Destructivism. Works by Ortiz are in the CSRC-organized exhibition Home—So Different, So Appealing at LACMA, June 11–October 15, 2017.  A recent photo of Ortiz by Oscar Castillo is included in the post. To read the piece on Unframed, click here.
Unframed, June 12, 2017 (PDF)
 
“Bustler’s Editor Picks for Architecture & Design Events: Los Angeles, June 12-19”
In a column highlighting architecture and design events of the week, Home—So Different, So Appealing’s public opening was listed under Los Angeles events. 
Bustler, June 12, 2017 (PDF)
 
“5 Design Things to Do This Week”
The exhibition Home—So Different, So Appealing at LACMA was featured in a column highlighting design and architecture events of the week in Los Angeles. 
KCRW Blog - Design & Architecture, June 12, 2017 (PDF)
 
“LACMA ‘Home’ Exhibit Offers ‘So Different’ Perspectives”
A review of the CSRC-organized exhibit Home—So Different, So Appealing in the Guardian Liberty Voice discusses the show’s unique subcategorization technique using themes of ‘home.’ 
Guardian Liberty Voice, June 10, 2017 (PDF)
 
“What is Home? LACMA’s New Show of Latino and Latin American Art Has 100 Answers”
In a preview piece for the exhibition Home—So Different, So Appealing, CSRC director Chon Noriega is quoted discussing the meaning behind the show’s theme. The article includes images of artworks in the exhibition by Laura Aguilar, Daniel Joseph Martinez, Carmen Argote, and Salómon Huerta. 
LA Weekly, June 9, 2017 (PDF)
 
‘Home’ Listed in BBC’s Cultural Calendar
In the BBC’s Cultural Calendar, the exhibition Home—So Different, So Appealing was listed as an upcoming event in Los Angeles. 
BBC, June 8, 2017 (PDF)
 
“’Home—So Different, So Appealing’ to Debut at LACMA”
CSRC director Chon Noriega was mentioned in the Park Labrea News & Beverly Press as co-curator of the exhibition Home—So Different, So Appealing at LACMA.
Park Labrea News & Beverly Press, June 8, 2017 (PDF)
 
“Datebook: Ideas of ‘Home’ at LACMA, Andrea Zittel in L.A. and the Desert, and the Diagram to End All Diagrams”
Home—So Different, So Appealing was featured in a column highlighting local arts and culture events of the week.  
Los Angeles Times, June 8, 2017 (PDF)
Featured again:
 
Art and Auction Lists “Home” in Exhibition Openings
In the June/July issue of Art and Auction, the exhibition Home—So Different, So Appealing was listed under exhibitions openings in June. 
Art and Auction, June 8, 2017 (PDF)
 
“Ramiro Gomez in LACMA's "HOME - So Different, So Appealing" Opening June 11”
The CSRC-organized exhibition Home—So Different, So Appealing was featured in a news piece from Charlie James Gallery regarding artist Ramiro Gomez. Eight of Gomez’s early acrylic-on-magazine pieces are on display in the exhibition.
Charlie James Gallery, June 7, 2017 (PDF)
 
“María Elena González at LACMA, ‘Pacific Standard Time: LA / LA’”
CSRC director Chon Noriega was quoted in a news piece from Hirschl & Adler Galleries regarding  artist María Elena González's interactive artwork Magic Carpet/Home (2003/2017), part of the CSRC-organized exhibition Home—So Different, So Appealing on display at LACMA through October 15.
Hirschl & Adler, June 7, 2017 (PDF)
 
"Facebook Live with Curators and Artists of Home—So Different, So Appealing" In a Facebook Live segment with the Los Angeles County Museum of Art, co-curators Chon Noriega (CSRC director), Mari Carmen Ramirez (​Museum of Fine Arts, Houston)​, and Pilar Tompkins Rivas (Vincent Price Art Museum) discuss the concept of the exhibition. In addition, artists Livia Corona Benjamin, Raphael Montañez Ortiz, Leyla Cárdenas, and Daniel Joseph Martinez discuss their artworks in the show.
Facebook Live, June 7, 2017
To view the segment, click here
 
"María Elena González’s 'Magic Carpet/Home'"
In a post on LACMA's blog Unframed, Chon Noriega, CSRC director and Home co-curator, discusses artist María Elena González’s interactive work Magic Carpet/Home (2003/2017).  Magic Carpet/Home will be on view in the CSRC-organized exhibition Home—So Different, So Appealing at LACMA, June 11–October 15, 2017. To read the piece on Unframed, click here.
Unframed, June 6, 2017 (PDF)
 
“So Much Is Happening at UCLA’s Chicano Studies Research Center!”
Several CSRC-organized events were mentioned in La Bloga including the exhibition Home—So Different, So Appealing on view at LACMA June 11 through October 15, 2017. 
La Bloga, June 5, 2017 (PDF)
 
“The Agenda: Silicon Valley Home Tours, SF Design Week, West Coast Craft”
The CSRC-organized exhibition Home—So Different, So Appealing is mentioned in “The Agenda,” a featured blog in California Home and Design.
California Home and Design, June 2, 2017 (PDF)
 
"Vincent Valdez on 'Excerpts for John' in 'Home—So Different, So Appealing'"
In LACMA’s blog Unframed, artist Vincent Valdez discusses his work Excerpts for John (2012), which will be featured in the CSRC-organized exhibition Home—So Different, So Appealing opening June 11 at LACMAAs a tribute to friend who served in Iraq, this paintings series presents the sequence of a military funeral procession.
Unframed, May 29, 2017 (PDF)
 
“Ruiz-Healy Art Opens a Solo Exhibition by Johanna Calle”
Home—So Different, So Appealing, opening later this year at LACMA, will feature work by artist Johanna Calle. Her work is on display at Ruiz-Healy Art through June 24 in a solo exhibition titled Johanna Calle: Trama.
Artdaily.org, May 11, 2017 (PDF)
 
“Summer Preview: Museum Shows and Biennials Around the World”
Art News previewed Home—So Different, So Appealing in a list of exhibitions and biennials opening in the summer of 2017. 
Art News, May 10, 2017 (PDF)
 
“Frieze New York 2017 Expands Scope”
Frieze put on a symposium in New York on Friday, May 5 in an effort to raise awareness of the Getty’s Pacific Standard Time: LA/LA initiative. CSRC director Chon Noriega was on one of the panels discussing topics relating to the exhibitions within PST: LA/LA.
NY ARTS, May 9, 2017 (PDF)
 
“UCLA Chicano Studies Research Center Partners with Two Museums on New Exhibition”
The CSRC is mentioned in a UCLA Newsroom piece about the upcoming CSRC-organized  exhibition Home—So Different, So Appealing, co-curated by CSRC director Chon Noriega. The exhibition opens June 11 at the Los Angeles County Museum of Art. “Home” is part of the Getty-funded arts initiative Pacific Standard Time: LA/LA.
UCLA Newsroom, May 5, 2017 (PDF)
 
Art Forum previews "Home—So Different, So Appealing"
The May issue of Art Forum features a preview of the CSRC-organized exhibition Home—So Different, So Appealing opening June 11 at the Los Angeles County Museum of Art. “Home” is part of the Getty-funded arts initiative Pacific Standard Time: LA/LA. The exhibition closes October 15 and then travels to the Museum of Fine Arts, Houston, where it will open November 19. 
Art Forum, May 4, 2017 (PDF)
 
“Highlights for Frieze New York 2017”
Frieze will put on a symposium in New York on Friday, May 5 in an effort to raise awareness of the Getty initiative Pacific Standard Time: LA/LA. CSRC director and co-curator Chon Noriega will participate in one of the panels discussing the traveling exhibition Home—So Different, So Appealing.
Art Bahrain, April 30, 2017 (PDF)
 
“Frieze Announces Programs and Highlights for Frieze New York 2017”
In an effort to raise awareness of the Getty’s Pacific Standard Time: LA/LA initiative, Frieze will put on a symposium in New York on Friday, May 5. CSRC director and co-curator Chon Noriega will participate in one of the panels discussing the touring exhibition Home—So Different, So Appealing.
NY Arts Magazine, April 5, 2017 (PDF)
 
“Make Art History”
Hermosa Journal mentioned the CSRC’s fundraising campaign in conjunction with UCLA Spark for the exhibition Home—So Different, So Appealing, part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative.
Hermosa Journal, February 21, 2017 (PDF)
 
“María Elena González's First Solo Gallery Exhibition at Hirschl & Adler Opens in New York”
The CSRC-organized exhibition Home—So Different, So Appealing was featured in a piece from Artdaily.org regarding artist María Elena González. Her work will be featured in Home as well as in her first solo gallery exhibition at Hirschl & Adler on display through March 18.
Artdaily.org, February 13, 2017 (PDF
 
“Some Brief Thoughts on Art and Scientific Language in the Administered World”
An essay by CSRC director Chon Noriega is cited in a piece about the misconceptions created when scientific nomenclature is used to discuss and critique art.
Huffington Post, January 29, 2017 (PDF)
 
“L.A. Due for a Flurry of Winter Art Shows”
The Hollywood Reporter put a spotlight on several upcoming art shows in Los Angeles, one being the LA Art Show, which showcased several institutions participating in Pacific Standard Time: LA/LA, including the CSRC.
The Hollywood Reporter, January 11, 2017 (PDF)
 
“This Weekend’s L.A. Art Show Will Have Something for Every Modern Art Lover”
The CSRC is mentioned in Time Out as one of several institutions participating in the LA Art Show and the Getty initiative Pacific Standard Time: LA/LA, which highlights Latin American artists across Southern California.
Time Out, January 11, 2017 (PDF)
 
“Acres of Art at the Convention Center”
CSRC director Chon Noriega was quoted in a piece on the 2017 LA Art Show’s 50,000 square-foot section of the fair dedicated to programming by Southern California museums and the CSRC.
LA Downtown News, January 10, 2017 (PDF)
 
“2017 Los Angeles Art Show – Kim Martindales’s Preview and Guide to the Show”
A photo of Raphael Montañez Ortiz performing a piano destruction concert is featured in a preview of the 2017 LA Art Show provided by Kim Martindale, the producer of the event.
Echo in the Sense, January 10, 2017 (PDF)
 
“Beneath the Cardboard, the Beach: Finding Utopia at the LA Art Show”
CSRC director Chon Noriega wrote a piece for the Huffington Post discussing the CSRC’s participation in the upcoming LA Art Show running January 11-15 at the L.A. Convention Center. The CSRC will present installations by artists Ramiro Gomez and Louis Hock that reflect on the current immigration debate, plus two performances by veteran destructivist artist Raphael Montañez Ortiz as part of the program series “Fragments from Home,” presented by LACMA.
Huffington Post, January 9, 2017 (PDF)
 
“LA Art Show Instagram Features Chon Noriega”
CSRC director Chon Noriega is quoted in an Instagram post by the LA Art Show in which he discusses the “Fragments from Home” program at the LA Art Show, featuring installations and performances by Ramiro Gomez and Raphael Montañez Ortiz. Home—So Different, So Appealing, an exhibition that will open in June 2017 at LACMA and includes work by Gomez and Ortiz, among others, inspired “Fragments from Home” at the art fair.
Instagram, January 9, 2017 (PDF)
 
“Latin American and Latinx Artists to Take Over Southern California Art Scene in 2017”
The Huffington Post mentioned two of the CSRC’s forthcoming shows, Home—So Different, So Appealing and Laura Aguilar: Show and Tell, in an article about the Getty's Pacific Standard Time: LA/LA initiativeArtists mentioned in the article who will be participating in these exhibitions include Laura Aguilar, Carmen Argote, and León Ferrari.
Huffington Post, November 16, 2016 (PDF)
 
“Pacific Standard Time: LA/LA Reveals Partial List of Exhibitions”
The CSRC-organized exhibition Home—So Different, So Appealing was mentioned in The Architect’s Newspaper in a preview of PST: LA/LA.
The Architect's Newspaper, September 13, 2016 (PDF)
 
“A Powerhouse Texas Artist Examines America Through the Ku Klux Klan — and the Results Are Beyond Haunting”
Home—So Different, So Appealing is mentioned in an article about artist Vincent Valdez, whose work will be featured in the exhibition at LACMA opening in 2017.
Paper City Magazine, September 9, 2016 (PDF)
 
“Pilar Tompkins Rivas Named Director of the Vincent Price Art Museum—First Latina in the Post”
The Los Angeles Times covered the announcement of Pilar Tompkins Rivas as the new director of the Vincent Price Art Museum at East Los Angeles College. She is the first Latina director in the museum’s history. Rivas has served as arts project coordinator at the CSRC, co-curated the CSRC exhibition L.A. Xicano (2011-12), and is co-curator of the forthcoming CSRC exhibition Home (2017-18).
Los Angeles Times, May 12, 2016 (PDF)
 
“Vincent Price Art Museum Names New Director”
ARTFORUM covered the appointment of Pilar Tompkins Rivas as the new director of the Vincent Price Art Museum. Rivas has served as arts project coordinator at the CSRC, co-curated the CSRC exhibition L.A. Xicano (2011-12), and is co-curator of the forthcoming CSRC exhibition Home (2017-18).  
ARTFORUM, May 12, 2016 (PDF)
 
“Pilar Tompkins Rivas Named Director of Vincent Price Art Museum in Los Angeles”
ARTnews covered the announcement of Pilar Tompkins Rivas as the new director of the Vincent Price Art Museum at East Los Angeles College. Rivas has served as arts project coordinator at the CSRC, co-curated the CSRC exhibition L.A. Xicano (2011-12), and is co-curator of the forthcoming CSRC exhibition Home (2017-18).
ARTnews, May 12, 2016 (PDF)
 
“Eight Reasons to Look Forward to Pacific Standard Time: LA/LA”
The CSRC-organized exhibition Home—So Different, So Appealing is mentioned in an article about the most anticipated shows a part of the Getty funded initiative Pacific Standard Time: LA/LA. CSRC director Chon Noriega is quoted discussing the meaning behind Home’s theme.
The Iris, April 13, 2016 (PDF)
 
"Getty Foundation to Issue $8.5 Million in Grants for Latino and Latin American-Themed Shows across SoCal”
The Los Angeles Times covered the announcement of new implementation grants given by the Getty Foundation for organizations participating in the Getty arts initiative Pacific Standard Time: LA/LA.
Los Angeles Times, March 30, 2016 (PDF)
 
“More Funding for Pacific Standard Time Art Exhibitions for 2017”
The forthcoming CSRC-organized exhibition Home—So Different, So Appealing was mentioned in this story on the second round of implementation grants given for exhibitions in the Getty arts initiative Pacific Standard Time: LA/LA.
The New York Times, March 30, 2016 (PDF)
 
“Latino and Latin American Artists to Meet in Pacific Standard Time”
The Art Newspaper covered the latest round of implementation grants for institutions participating in the Getty arts initiative Pacific Standard Time: LA/LA. The article discusses the exhibition organized by the CSRC and co-curated by Pilar Tompkins Rivas (LACMA), Mari Carmen Ramirez (MFAH), and CSRC director Chon A. Noriega.
The Art Newspaper, March 30, 2016 (PDF)
 
“Getty Announces $8.5 Million in Grants for Second Pacific Standard Time Program”
The exhibition Home—So Different, So Appealing is mentioned in a piece for artnet News, discussing the recent funding from the J. Paul Getty Trust towards the art initiative Pacific Standard Time: LA/LA.
artnet News, March 20, 2016 (PDF)
 
“Chicano Studies Research Center Receives $100,000 Grant from Andy Warhol Foundation”
A story in UCLA Newsroom announced the CSRC's receipt of a grant from the Warhol Foundation to go toward the implementation of the exhibition Home—So Different, So Appealing, opening 2017 at the Los Angeles County Museum of Art.
UCLA Newsroom, February 2, 2016 (PDF)
 
"Art Historians Share Progress on Exhibitions for Pacific Standard Time: LA/LA"
The Getty blog Iris reports on the first progress presentations by PST curators since the grants were announced in May.
The Getty Iris, October 15, 2014 (PDF)
 
“Getty Awards $150,000 to Vincent Price Art Museum”
The Vincent Price Art Museum received a grant of $150,000 to put toward research and planning two exhibitions for the Getty initiative Pacific Standard Time: LA/LA. One of the exhibitions, a retrospective on Chicana artist Laura Aguilar, will be undertaken in collaboration with the CSRC.
ELAC Campus News, May 21, 2014 (PDF)
 
“UCLA Receives $685,000 in Grants from Getty Foundation”
The UCLA Newsroom reported that the CSRC, Fowler Museum, Hammer Museum, and Film and Television Archive each received grants from the Getty Foundation to research and plan exhibitions for Pacific Standard Time: LA/LA.
UCLA Newsroom, May 19, 2014 (PDF)
 
“Are U.S. Art Museums Finally Taking Latin American Art Seriously?”
A web exclusive in ARTnews commenting on the increasing number of exhibitions featuring Latino and Chicano artists that are being hosted by U.S. museums. The story mentions the CSRC’s forthcoming show for Pacific Standard Time: LA/LA.
ARTnews, May 15, 2014 (PDF)
 
“Getty Announced $5M in Grants for ‘Pacific Standard Time: LA/LA’”
CSRC director Chon A. Noriega was interviewed on Take Two, a news and culture program on KPCC 89.3 FM, concerning the new arts initiative Pacific Standard Time: LA/LA. To listen to the broadcast, click here.
Take Two, May 7, 2014 (Selected excerpts are in the attached PDF)
 
“Latino Art Push Takes Shape”
CSRC director Chon A. Noriega was interviewed concerning Pacific Standard Time: LA/LA, a new Getty initiative that will fund research for three exhibitions in 2017-18: one exhibition organized by the CSRC and two exhibitions on which the CSRC will collaborate.
Los Angeles Times, May 6, 2014 (online and print version PDFs)
Reposted in Latin Post, May 6, 2014 (PDF)
Additional coverage in The New York Times, which includes comments from CSRC visiting scholar Cecilia Fajardo-Hill.
The New York Times, May 6, 2014 (PDF)