News
The CSRC-organized exhibition Home—So Different, So Appealing was mentioned in The Economist as part of the Getty-funded arts initiative Pacific Standard Time: LA/LA.
Four art exhibitions were named in the Los Angeles Times for how they address DACA and its recent reversal by the Trump administration. Artist Camilo Ontiveros was mentioned in the article for his sculpture Temporary Storage: The Belongings of Juan Manuel Montes in the CSRC-organized exhibit Home—So Different, So Appealing.
Home artist Camilo Ontiveros was featured in a video on the Los Angeles Times website discussing his sculpture Temporary Storage: The Belongings of Juan Manuel Montes.
A review by art critic Holland Cotter of the exhibition Home—So Different, So Appealing was highlighted in a news brief in The New York Times.
UCLA Magazine profiled the La Raza Photograph Collection at the CSRC. The CSRC is digitizing over 25,000 photographs for preservation, exhibition, and research.
Home artist Camilo Ontiveros was featured in an article discussing his sculpture Temporary Storage: The Belongings of Juan Manuel Montes, which was constructed from the belongings of the first person with DACA status to be deported by the Trump Administration.
The CSRC was mentioned in an article about the La Raza exhibition, now on view at the Autry Museum of American West. The exhibition features prints from a collection of 25,000 images that were taken by La Raza photographers and are being digitized by the CSRC.
KCET profiled Murales Rebeldes: L.A. Chicana/o Murals under Siege, an exhibition examining the reception of and struggle to preserve Chicano murals in Los Angeles.
Artist and UCLA faculty member Judith F. Baca was mentioned in an Artnet News piece for having her work featured in the Pacific Standard Time: LA/LA exhibit Radical Women on display at the Hammer Museum.
In this preview of Pacific Standard Time: LA/LA exhibitions, La Raza was one of the highlighted shows. The CSRC co-produced La Raza and is a lender to Murales Rebeldes: L.A. Chicana/o Murals under Siege, another Pacific Standard Time: LA/LA exhibition mentioned in the piece.