News
In a review of PST: LA/LA, The New York Times mentioned CSRC director Chon A. Noriega and the extensive efforts of the CSRC, and he called Home—So Different, So Appealing "one of the stronger shows" in the initiative.
The Daily Bruin featured a piece on the exhibition La Raza, co-produced by the CSRC and the Autry Museum of the American West.
Press Telegram mentioned the CSRC for their partnership with the Autry Museum of the American West in producing the exhibition La Raza. September 13 marked the fiftieth anniversary of the founding of the publication La Raza.
As part of the Getty-funded arts initiative Pacific Standard Time: LA/LA, the UCLA Film and Television Archive is bringing Spanish-language cinema to various theaters throughout L.A. until December 10.
The CSRC-organized exhibition Home—So Different, So Appealing was mentioned in The Economist as part of the Getty-funded arts initiative Pacific Standard Time: LA/LA.
Four art exhibitions were named in the Los Angeles Times for how they address DACA and its recent reversal by the Trump administration. Artist Camilo Ontiveros was mentioned in the article for his sculpture Temporary Storage: The Belongings of Juan Manuel Montes in the CSRC-organized exhibit Home—So Different, So Appealing.
Home artist Camilo Ontiveros was featured in a video on the Los Angeles Times website discussing his sculpture Temporary Storage: The Belongings of Juan Manuel Montes.
A review by art critic Holland Cotter of the exhibition Home—So Different, So Appealing was highlighted in a news brief in The New York Times.
UCLA Magazine profiled the La Raza Photograph Collection at the CSRC. The CSRC is digitizing over 25,000 photographs for preservation, exhibition, and research.
Home artist Camilo Ontiveros was featured in an article discussing his sculpture Temporary Storage: The Belongings of Juan Manuel Montes, which was constructed from the belongings of the first person with DACA status to be deported by the Trump Administration.