News
LACMA has announced Guadalupe Rosales as its first “Instagram artist-in-residence.” Rosales, a CSRC collections donor will use LACMA's Instagram platform as a means to discuss art and to encourage conversations about art in Los Angeles.
The second edition of the Getty-funded Pacific Standard Time initiative is devoted to Latin America and Latino art and will launch with the intention of boosting cultural tourism and focusing on academic value.
CSRC director Chon Noriega was quoted in a press release from Tellus Design +Build describing the firm’s role in the installation of María Elena González’s interactive sculpture “Magic Carpet/Home” (2003/2017), part of the CSRC-organized exhibition Home—So Different, So Appealing on view at LACMA through October 15.
The CSRC-organized exhibition Home—So Different, So Appealing was featured in Artishock as the first of five exhibitions at LACMA to be produced for the Getty arts initiative Pacific Standard Time: LA/LA. The story includes photos of the Home exhibition.
CSRC director Chon Noriega was quoted in a story discussing the development and organization of the exhibition Home—So Different, So Appealing, on view at LACMA through October 15. The story includes photos of the exhibition.
Art critic Peter Schjeldahl calls the CSRC-organized exhibition a "tour de force." (Image: Ramiro Gomez, "Maria Waiting for Her Check," 2013. Courtesy Charlie James Gallery)
Artist Star Montana was profiled in LAist for her new exhibition I Dream of Los Angeles, now on display at the Beta Main. Montana is a former Getty intern at the CSRC.
La Bloga featured a story on the CSRC-organized exhibit Home—So Different, So Appealing. The story includes photos of the exhibition, artists, and curators.
Peter Schjeldahl’s review of the exhibition Home—So Different, So Appealing in The New Yorker was mentioned in Apollo’s listing of daily art news.
Peter Schjeldahl’s review of the exhibition Home—So Different, So Appealing in The New Yorker was mentioned in an Artnews piece.