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November 6, 2017

Home artist Ramiro Gomez is now represented by Chelsea’s P.P.O.W. gallery in New York. His first solo exhibition at the gallery will open Spring 2018.

November 3, 2017

The Los Angeles Times previewed an event at the Vincent Price Art Museum (VPAM) that paid tribute to The Plush Pony, a defunct working-class lesbian bar in Los Angeles.

November 2, 2017

CSRC director Chon A. Noriega was quoted in an essay that mentioned the exhibition Home—So Different, So Appealing.

November 2, 2017

CSRC associate director Charlene Villaseñor Black participated in a talk with artist Judithe Hernández at the Millard Sheets Art Center in Pomona. They discussed Hernández’s work in the exhibition One Path Two Journeys, part of Pacific Standard Time: LA/LA.

November 2, 2017

CSRC associate director Charlene Villaseñor Black was interviewed by A Martínez for the radio program Take Two. Listen to the show here.

November 1, 2017

Home to reopen at MFAH, new CSRC YouTube videos, the IAC Fall Forum, IAC fellowships for 2018-19, and more, in this month's newsletter!

(Image: Roundtable discussion at the 2017-18 UCLA Digital Archiving Visitor Speaker Series, October 13. CSRC librarian Xaviera Flores, third from the left.)

November 1, 2017

Delivered at the Smithsonian Archives of American Art Annual Benefit, New York City, October 24, 2017

November 1, 2017

Home—So Different, So Appealing was mentioned in an article discussing the recent Twitter battle between the Museum of Fine Arts, Houston and the Los Angeles County Museum of Art.

October 30, 2017

NBC News covered the arts initiative Pacific Standard Time: LA/LA. Included in the roundup is a photo from the La Raza exhibition at the Autry Museum, courtesy of the CSRC, and an image of the artwork 720 Sq. Ft.: Household Mutations by Carmen Argote, featured in the CSRC-organized exhibition Home—So Different, So Appealing at LACMA.

October 30, 2017

CSRC associate director Charlene Villaseñor Black was quoted in a Los Angeles Times piece discussing the recent surge in popularity of Dia de los Muertos merchandise.

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