News
The Art Newspaper profiled Pacific Standard Time: LA/LA and highlighted a few of the exhibitions, including La Raza, which the CSRC co-produced with the Autry Museum of the American West.
Home artist Camilo Ontiveros discussed his sculpture Temporary Storage: The Belongings of Juan Manuel Montes in an interview with El Universal. The artwork draws attention to those affected by the repeal of DACA.
Home artist Camilo Ontiveros discussed his sculpture Temporary Storage: The Belongings of Juan Manuel Montes in a profile in the Los Angeles Times. The artwork draws attention to those affected by the repeal of DACA.
The Wall Street Journal surveyed Pacific Standard Time: LA/LA and mentioned the CSRC-organized exhibition Home—So Different, So Appealing as “essential on anybody’s PST list.”
The exhibition Axis Mundo: Queer Networks in Chicano L.A., now on view at ONE Gallery and the MOCA Pacific Design Center, was featured in an article in Vice about queer Chicano art.
Emily Butts, curatorial assistant for Home—So Different, So Appealing, was interviewed for The Iris, a Getty blog.
Home—So Different, So Appealing was mentioned in LA Weekly’s guide to Pacific Standard Time: LA/LA exhibitions.
The CSRC was mentioned in The New York Times in a preview of La Raza at the Autry Museum of the American West.
CSRC director Chon A. Noriega was quoted in a piece discussing Chicano Male Unbonded, an exhibition of photographic portraits by Harry Gamboa Jr.
The Los Angeles Times reported on the launch-week press conference for Pacific Standard Time: LA/LA. Home—So Different, So Appealing artists Carmen Argote and Abraham Cruzvillegas spoke on the event’s artist panel.